operational
Operational is a strange word. It could be logistic, methodological, organizing, structural, … It involves production as well as distribution. It’s pre- and/or post. It’s frontend and/or backend technologies. From dark infrastructures to glowing screens.
how to do?
Just another way to say that looking at architectures is interesting. Let’s look at methods to do things, and how it connects to that what is done. It’s discourse, it’s meta-, it’s accountability, and/or the old adage that reminds us of ‘it ain’t what you do, but the way that you do it.” Let’s try out advanced ways of being aware of the conditions we’re working in, while retaining critical attention. The romantic idea that this will automatically seep into the work and will be communicated through the work is rejected here. Even more... the notion that the work should communicate this clearly or else is a failure is even more rejected. These are simultaneous movements, that are reciprocal. One is no representation of the other, one is not the explanation to the other. This is not a radical position. It’s a setting that allows site specific interaction. A site specificity that is not limited to the interplay between space and work, but includes the interplay between the WHAT and the HOW.
distribution
Marcel Broodthaers might have said: “The definition of artistic activity occurs, first of all, in the field of distribution.”
narrativity
There might be a preference of technology for immateriality in distribution. There’s a theory that says that faster-than-light speeds are achievable if mass and weight approaches zero. Connecting such predilection with dominant types of future thinking, derivatives, predictions, postponement, replaceability asked for a look at data and/or information. This seemed to favour and/or exponentially produce a certain kind of information. Information that was formatted as double narratives: the frontend and the backend. Let’s point at the grasp these narratives hold over a data and information system.Let’s propose however that in order for our current amount of data to be understandable at all, data distribution is no longer about information. It’s all about storytelling and narratives may be the dominant distributed currency.
simultaneously
Let’s not look for alternatives that simply replace the dominant narrative with a new dominant narrative. Let’s discuss bringing community and non-community together without resolving all into community. The proposal here could be: not to find new narratives to believe in. We might not need new narratives. Let’s not call out for new ghost stories. Maybe we can step away from content-providing new narratives and, in doing so, co-construct an infrastructure that allows narratives to shift meaningfully? It can be a way to break the mold in which these narratives are created. The proposal could be to find modes of denarrativizing what is presented and distributed in these infrastructures. Not to replace narratives with the narrative of bare facts, but with a critical modes of literacy towards our own narrative fallacies, to alter momentum, alter distribution, defy the average, dismantle narratives. It could be a way to address an essence of technology and redefine its backend darkness.
boring
The non-spectacular, the non-clickbait.
diversionary tactics
To be looking at something while thinking about something else. Narrativity should not be confused with the fact or fiction of information. Both are irrelevant and both can be equally and simultaneously narrativized and extracted. “Here it is no longer a case of establishing the truth about post-truth, or of cleaving fiction from fact, but making tangible the idea that truth and fiction are dynamic concepts that are both produced and productive.” As narratives function only as placeholders in a frontend clickbait-and-switch or backend tagging model, No amount of storytelling can change that. We might not need new narratives, whose quality is simply that they are new. We need to break down narratives and their structure. The question today might not be to predict what the next new narratives are, but how can we avoid getting stuck in fixed narratives? How can we allow narratives to break down and change? This emphasizes the refusal of a dominant structuring narrative. It’s an interrupted, incomplete narrative that loses itself.This interruption is a method to highlight discourse and not narration. Here it exchanges probability for possibility, it pollutes the dominant narrative with detours, speculations, derivatives, and multiplications. It is a diversionary tactic that continuously insists upon the idea of another space, another approach, another author and another criticality: a space of refusal. This refusal is in no way a radical alternative model, but an embedded, hard to maintain interaction. And it asks not only the what to do, but the how to do.
exit strategies
It is the method of the fringe and a vague center. It’s insisting on centrifugal thinking, without ever losing sight of its center. To visualize this: it is Alfred Hitchcock and the dolly zoom. The camera is moving away, while simultaneously zooming in. It brings confusion, but it also brings another kind of focus. During such a zoom, there is a continuous perspective distortion. The dolly zoom is commonly used to represent the sensation of vertigo, a “falling-away-from-oneself feeling” or a feeling of unreality, or to suggest that a character is undergoing a realization that causes them to reassess everything they had previously believed. It’s also a very cheesy cinematic effect, taught to be avoided at all cost. If we zoom in while backing up here, we can see a method of periphery and relentless decentralization. Slowness, inefficiency and abandoning ideas halfway, It’s about placeholders, simultaneity and paradox. In short, this methodology of fan fiction is an entry point disguised as an exit. And it is definitely a messy business. My thesis here is an attempt to describe that exit, even though the exit can never be completed, as in fan fiction. There is an autonomy that in its exit keeps pointing back at the center.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
At random a computer chooses scenes from each movie. Like this, three scenes are always mixed on top of each other. The three narratives and images start to interact and are continuously reworked into a new endless film.
Like this, each presentation is necessarily a new edit or a trailer, if you will.
The soundtrack is a continuous loop of the song '3 views of a secret' by Jaco Pastorius.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
Here, as a sequel to the work ‘the bootleg redux (torrent edit)’, a slow crossfade lasting the entire movie, goes from ‘Jaws’ to ‘The Last Shark’.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
The work will be first revealed on Sunday 31th of March 2019 — 02:00h, with the switch to daylight savings time.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
As we jump from 2:00 to 3:00 when daylight saving time evaporates the hour between 2:01 and 2:59, a moment that doesn't exist is described. One room is opened to the public, with visiting hours stretching way beyond the reasonable.
A blue glow-in-the-dark pigment is poured onto the ground. It will disperse and become a permanent part of the building, long after art was allowed to occupy it.
A foreign agent, a poltergeist, a remnant that will become visible every time the lights goes off suddenly. An ectoplasm emerging into the future of a building of yet another city upscaling project.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
3D self-adhesive letters pasted onto a car spell the word 'NOOCOODA'.
Following the strategy of exotic names for car models, this translates to 'prototype' from Somali, being one of the countries with the least cars.
Resetting the car as a prototype and an artwork, it's a marker for the future.
As a car, it projects, across car brands, the status of the unfinished, temporary, preproduction and possibly unsafe.
As a prototype, it sits just out of reach of an economic value system.
As a unique artwork, it questions it's artistic scope as well as it's economic position and what to do once the car changes owner or breaks down.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can stream it online, request a free version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Streaming allows for immediate viewing, making the work widely accessible. Requesting a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
The pattern reads “Beppe Loda” in binary code. Not as a portrait, but as a point of reference. He is an Italian DJ from the seventies known for his Cosmic Disco sets and slowed down mixing style.
Over time form and content will drift apart, as the hard disks become more and more obsolete and out-dated. The information will search for newer media and here only a shell will remain: a used but useless design object.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
This edition is the negative, inversed version of 'Hard Disk Sculpture (Teo Macero Edit)'. It also reads “Teo Macero” in binary code, but here a hard disk stands for a zero instead of a one. . Teo Macero was a music producer for Miles Davis. Together they used copy/paste editing to rearrange recordings for albums such as "Bitches Brew" and "In a Silent Way". These albums are considered the invention of fusion jazz.
Over time form and content will drift apart, as the hard disks become more and more obsolete and out-dated. The information will search for newer media and here only a shell will remain: a useless design object.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.
collector's info
In an attempt to think on simultaneous forms of economic modes and distribution, there are three ways to engage with this work. You can read it online, download the free digital version, or acquire a collector’s edition with a paid certificate. While all versions are identical in content, the digital download version has it’s own specific layout. Like this they differ in how they are accessed, owned, and ultimately circulated.
Collecting might not just be about ownership and storage, but it could be shaped by the different ways this work can circulate in the world. Online presence allows for immediate viewing, making the work widely accessible. Downloading a free version means owning it, but comes with an explicit request of contributing to its redistribution. The collector’s edition offers a way to own the work, while supporting continued production and distribution.